Ginevra Ludovici (Roma, 1992) è curatrice indipendente e ricercatrice. Ha ottenuto il Ph.D. in Analysis and Management of Cultural Heritage presso la Scuola IMT Alti Studi Lucca, con una ricerca dedicata alle piattaforme educative fondate e gestite da artisti, dal titolo Self-initiated institutions: the case of artists-run educational platforms. Negli ultimi anni ha collaborato con diverse istituzioni, tra cui il MoMA - The Museum of Modern Art (New York), Carpe Diem Arte e Pesquisa (Lisbona), Centro di Ricerca ASK – Art, Science, Knowledge (Milano), Lateral (Roma), Real Academia de España (Roma), Fondazione Giuliani (Rome), MACTE - Museo di Arte Contemporanea Termoli, Almanac (Torino) e Galerija Remont (Belgrado). I suoi scritti sono apparsi in pubblicazioni accademiche, come Arte e Spazio Pubblico (Silvana Editoriale), Another Artworld. Pursuing New Organizational Modes (Atropos Press) e On the Question of Exhibition v. 3 (PARSE – Platform for Artistic Research Sweden), e riviste di settore, come Flash Art Italia, NERO editions, e-flux, roots§routes e Made in Mind. Inoltre, ha curato la traduzione in italiano dei testi Education for Socially Engaged Art di Pablo Helguera e Joseph Beuys di Claudia Mesch per Postmedia Books. Nel 2022 è stata visiting scholar presso HDK – Valand, Academy of Art and Design, all'Università di Göteborg. Nel 2023 è stata coordinatrice scientifica della Summer School “Dissonances. Re-interpreting and re-assessing difficult heritage” presso la Scuola IMT Alti Studi Lucca e curatrice in residenza presso il CAR – Centro de Acercamiento a lo Rural, spazio madrileno di INLAND Campo Adentro.  Nel 2024 ha co-curato la mostra collettiva “Ersilia. Praticare l’Altrove” al Museo MACTE e ha ricevuto la borsa di studio per il sostegno a progetti internazionali di ricerca da parte dell’Italian Council (13ª edizione, 2024-2025), promosso dal Ministero della Cultura italiano. Nel 2023 ha co-fondato il Capitolo Italiano presso l’Association for Critical Heritage Studies, di cui è attualmente coordinatrice. È, inoltre, co-fondatrice dei collettivi multidisciplinari CampoBase (2018-2022) e Vieni Fortuna (2023-in corso). Dal 2023, accanto al lavoro accademico e curatoriale, coltiva una pratica performativa che si esprime nel suo apporto al collettivo Vieni Fortuna e nella collaborazione con il sound artist e compositore Flavio Michele (fka Grosso Bernardo) nella lecture performance Audiotext (2024–in corso). Nel 2025, ha co-fondato 10 documents, piattaforma di ricerca, casa editrice e spazio espositivo con sede a Roma.

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Ginevra Ludovici (Rome, 1992) is an independent curator and researcher. She holds a Ph.D. in Analysis and Management of Cultural Heritage from the IMT School for Advanced Studies Lucca, where her doctoral research focused on artist-founded and artist-run educational platforms, under the title Self-initiated institutions: the case of artists-run educational platforms. In the last years, she has collaborated with various institutions, such as MoMA - The Museum of Modern Art (New York), Carpe Diem Arte e Pesquisa (Lisbon), ASK - Art, Science, Knowledge Research Centre (Milan), Lateral (Rome), Real Academia de España (Rome), Fondazione Giuliani (Rome), MACTE - Museo di Arte Contemporanea Termoli (Termoli), Almanac (Turin) and Remont Gallery (Belgrade). Her writings have appeared in academic publications, such as Arte e Spazio Pubblico (Silvana Editoriale), Another Artworld. Pursuing New Organizational Modes (Atropos Press) and On the Question of Exhibition v. 3 (PARSE – Platform for Artistic Research Sweden), and sector magazines, such as Flash Art Italia, NERO editions, e-flux, roots§routes and Made in Mind. Furthermore, she translated the texts Education for Socially Engaged Art by Pablo Helguera and Joseph Beuys by Claudia Mesch into Italian for Postmedia Books. In 2022, she was a visiting scholar at HDK – Valand, Academy of Art and Design, at the University of Gothenburg. In 2023, she was scientific coordinator of the Summer School “Dissonances. Re-interpreting and re-assessing difficult heritage” at the IMT School of Advanced Studies Lucca and curator in residence at the CAR – Centro de Acercamiento a lo Rural, the space in Madrid of INLAND Campo Adentro. In 2024, she co-curated the group exhibition “Ersilia. Praticare l’Altrove” at MACTE museum and and received the Italian Council International Research Grant (13th Edition, 2024-2025), sponsored by the Italian Ministry of Culture. She contributed to initiate the Italian Chapter at the Association for Critical Heritage Studies (2023-ongoing), which she currently coordinates. She is co-founder of the multidisciplinary collectives CampoBase (2018–2022) and Vieni Fortuna (2023–present). Since 2023, alongside her academic and curatorial work, she has been developing a performance practice, expressed through her contribution to the Vieni Fortuna collective and her collaboration with sound artist and composer Flavio Michele (fka Grosso Bernardo) on the lecture performance Audiotext (2024–ongoing). In 2025, she co-founded 10 documents, a research platform, publishing house and exhibition space based in Rome.